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Clay Figurine Zhang: prestigious folk arts in Tianjin

Author  :  Yu Hong     Source  :    Chinese Social Sciences Today     2016-11-02

Clay Figurine Zhang artworks come in a variety of styles and themes, and some are drawn directly from folk tales and literary works.

Clay Figurine Zhang is a form of painted sculpture that is popular in North China. It was first created during the reign of the Qing Emperor Daoguang in Tianjin, meaning it has existed for nearly two centuries.

During this period, the art form has experienced many ups and downs and transformations, before winning widespread recognition as a popular folk art.

Along with international recognition, it has played a key role in China’s folk art history.

In 2006, Clay Figurine Zhang was listed as an item of national intangible cultural heritage by the Ministry of Culture.

Due to the small size of the sculptures—most are generally 40 centimeters high—Clay Figurine Zhang artworks are kept indoors. They come in a variety of styles and themes. Some reflect folk customs, while others are drawn directly from folk tales and performances. Some are based on classic literary works such as The Water Margin and Dream of the Red Chamber.

When well crafted, the figurines aim to not only replicate the appearance of these characters, but also represent their spirit as well.

The method of creating Clay Figurine Zhang sculptures has been kept a secret throughout the years. These figurines can last a long time, and are not prone to drying out, as other clay figurines often do. The method through which they are created allows them to resist cracking. However, it is believed to require significant dexterity on the part of the creator. Around 80 percent of the molded figure is created by hand, and manual tools are only used when fingers cannot reach a part of the figurine.

Clay Figurine Zhang continues the traditions used in ancient Chinese clay sculptures while also promoting new developments and innovations, which makes these painted sculptures accessible to ordinary members of the public. They are not exclusive to Buddhist halls or temples, as other types of clay figurine often are.

The works of Clay Figurine Zhang not only have a far-reaching influence and an enormous market in China, but also are going abroad and being showcased in other countries. Every year, there are millions of domestic and international visitors, who are attracted by these exquisite figurines. Many of them stop by the Clay Figurine Zhang workshop in Tianjin.

Editor: Yu Hui

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